This photograph shows a general view of an open space at Raffles Place showing lush, carpeted grass on raised platforms on which public sculptures are placed. Besides tall office buildings, one of the entrances to Raffles Place MRT station can also be seen, in the centre of the photograph. Title devised by Library staff.
A front view of the statue at Raffles Place against a backdrop of skyscrapers....
This photograph shows a section of Raffles Place area (formerly known as Commercial Square), with pedestrians walking about in front of Robinson's Department Store and the OUB (Overseas Union Bank) building. The iconic statue of Eros is seen on the roof of Robinson's Department Store. On the left is the...
Shown here is a night scene at Raffles Place in the 1960s, pictured with colourfully lit buildings and a water fountain standing in the foreground of a landscaped park. Photograph donated by Pan Yew Keng and displayed at Heritage Roadshow 2007....
A general view of the Tanjong Pagar MRT station from Wallich Street shows a paved walkway leading to an entrance....
This photograph shows a section of the Raffles Place area (formerly known as Commercial Square), with a carpark in front of the Robinson's Department Store (centre) and the OUB (Overseas Union Bank) building (left). The Robinson's Department Store, with its iconic statue of Eros, was destroyed by a fire in...
A panoramic view of the shopping mall, MRT station and HDB apartment blocks with a large green field in the foreground....
Close-up of the shrine protected by a low metal gate with an onion-shaped part. It is on a raised platform with offerings of food and drink. There are flowers in vases as well as a sprinkling of flowers....
This 1880s photograph shows a view of Commercial Square. John Little, Singapore's oldest department store, can be seen on the right side of the photograph. In 1858, Commercial Square was renamed Raffles Place, after the founder of Singapore. Title devised by Library staff. Date of creation estimated....
Performance is one of Poon’s earlier attempts at the integration of planes in a three-dimensional space. It is representative of the other type of structure which makes up the linguistic rationale of Poon’s three-dimensional work – apart from the sculptures which resemble the movement of ribbons caught in time and...