Paul Tan



Singapore Infopedia

by Marsita Omar

Background

Paul Tan Kim Liang (b. 1970–) is a poet and winner of the Singapore Literature Prize in 1993 and 1997 for his collections of poems.1

Early beginnings
Tan belongs to the third generation of Singapore poets, most of whom are born after 1960. He developed his interest in writing rather late. Other than the odd limericks he wrote as a child, Tan started writing poetry only when he was in National Service. Having been schooled in English, Tan uses the language in all his writings although he does draw from Chinese culture, myth and idioms and incorporates these into his works. Tan considers it a pity that he does not possess the ability to write well in Chinese.2


Writings and influences
Tan made his mark as a poet when he was still an English undergraduate at the National University of Singapore (NUS). He was the first-prize winner of the NUS Literary Society Poetry Competition for two consecutive years, in 1992 and 1993.3


Tan’s debut collection of poems, Curious Roads (1994), chronicles his army life and includes personal reminiscences of his growing up years.4 Like other third-generation poets, Tan also shares with them a preoccupation with cultural identity crisis.5 In 1998, he produced another volume of poetry, titled Driving Into Rain. While Curious Roads seems like a personal journey, Driving Into Rain speaks of a young Singaporean's perspective of the world around him.6 These two collections of verses were winners of the Singapore Literature Prize – Curious Roads in 1993 (Commendation) and Driving Into Rain in 1997 (Merit).

Tan often laments the indifference given to poetry in Singapore compared with other art forms like performing arts and visual arts, and the fact that Singaporeans are of the view that local literature is a pale shadow of what the West can offer. He feels that publishers, bookstores, the government and the public have a more active role to play in supporting local writers.8 

Tan considers the poems of Boey Kim Cheng in Days of No Name (1996), Alfian Saat in One Fierce Hour (1998) and Yong Shu Hoong in Isaac (1997) to be among the more distinct and significant poems by Singaporeans.

Other achievements and contributions
Tan's poems have been featured in Raffles Editions, an imprint under which winners of the Singapore Literature Prize were published. However, Raffles Editions was discontinued in 2001 due to financial constraints.10 Tan's poems have also been published in The Straits TimesThe New Straits Times and The Commentary.11 


Tan has played an active role in promoting the art of writing poetry in Singapore, such as by participating in poetry sessions at bookstores  and facilitating events involving poetry-writing by school children.12  He is a frequent contributor to the Quarterly Literary Review Singapore, an online journal dedicated to local creative writing.13

In 2012, Tan penned the lyrics for the National Day song titled “Love at First Light”. It was composed by Iskandar Ismail, and performed by Olivia Ong and Natanya Tan. The song “takes listeners through a day in Singapore, and reflects on the Singapore spirit and identity”.14

Tan was a broadcast journalist with the Television Corporation of Singapore (now Mediacorp).15 He is currently the deputy chief executive officer of the National Arts Council.16

Works
Collection of poems

1994: Curious Roads.17
1998: Driving Into Rain.18
2006: First Meeting of Hands.19
2014: Seasonal Disorders/Impractical Lessons.20

Individual poems (selective)21
Changing Bus Routes
Moorings
Observing Mother
Leaving Heathrow
Snack

Short stories (selective)
2001: Jasmine's Father22

2006: The Oriental Grocer23

Awards

19921993: First prize, NUS Literary Society Poetry Competition.24
1993: Singapore Literature Prize (Poetry), Commendation, for Curious Roads.25
1997: Singapore Literature Prize (Poetry), Merit, for Driving into Rain.26



Author

Marsita Omar



References
1. “Singapore Literature Prize,” National Book Development Council of Singapore, accessed 6 September 2016, http://bookcouncil.sg/awards/singapore-literature-prize#winners1997.
2. Kirpal Singh, ed., Interlogue: Studies in Singapore Literature, vol. 2. (Singapore: Ethos Books, 1999), 183. (Call no. RSING 809.895957 INT) 
3. “Paul Tan Kim Liang: Biography and Brief Introduction,” The Literature, Culture and Society of Singapore, accessed 6 September 2016, http://www.postcolonialweb.org/singapore/literature/poetry/tan/bio1.html.
4. Singh, ed., Interlogue: Studies in Singapore Literature, 184.
5. Koh Buck Song, “Snapshots of Singapore Life Captured in Three Collections,” Straits Times, 10 December 1994, 44. (From NewspaperSG)
6. Singh, ed., Interlogue: Studies in Singapore Literature, 186.
7. National Book Development Council of Singapore, “Singapore Literature Prize.”
8. Singh, ed., Interlogue: Studies in Singapore Literature, 187–88.  
9. Singh, ed., Interlogue: Studies in Singapore Literature, 188–89.  
10. Clara Chow, “No Money, So They'll Pulp Fiction,” Straits Times, 9 July 2011, 3. (From NewspaperSG)
11. Felix Cheong, Idea to ideal (Singapore: Firstfruits publications, 2004), 76. (Call no. RSING S821.009 IDE) 
12. Singh, ed., Interlogue: Studies in Singapore Literature, 189; “Poetry and Music at Borders,” Straits Times. 27 February 1999, 12. (From NewspaperSG)
13. Paul Tan, “Jasmine’s Father,” Quarterly Literary Review Singapore 1, no. 1 (October 2001), http://www.qlrs.com/story.asp?id=136.
14. Tong Jia Han, “NDP Homecoming for Olivia Ong,” My Paper, 12 July 2012“Tomorrow’s Here Today Is the 2016 NDP Song: Do You Remember Other Theme Songs From the Past?” Straits Times, 20 June 2016. (From Factiva via NLB’s eResources website)
15. Ong Sor Fern, “Broadcast Journalist Wins Merit Award,” Straits Times, 27 November 1997, 41. (From NewspaperSG)
16. “About Us,” National Arts Council, accessed 6 September 2016, https://www.nac.gov.sg/about-us.
17. Paul Tan, Curious Roads (Singapore: EPB Publishers, 1994). (Call no. RSING S821 TAN) 
18. Paul Tan, Driving Into Rain (Singapore: Raffles Editions, 1998). (Call no. RSING S821 TAN) 
19. Paul Tan, First Meeting of Hands (Singapore: Firstfruits Publications, 2006). (Call no. RSING S821 TAN) 
20. “Paul Tan,” Poetry.sg, accessed 6 September 2016, http://www.poetry.sg/paul-tan-bio.
21. The Literature, Culture and Society of Singapore, “Paul Tan.”
22. Paul Tan, “Jasmine’s Father.”
23. Paul Tan, “The Oriental Grocer,” Quarterly Literary Review Singapore 6, no. 1 (October 2006), http://www.qlrs.com/story.asp?id=559.
24. Cheong, Idea to ideal, 76.  
25. National Book Development Council of Singapore, “Singapore Literature Prize.”
26. National Book Development Council of Singapore, “Singapore Literature Prize.”



The information in this article is valid as at 7 September 2016 and correct as far as we can ascertain from our sources. It is not intended to be an exhaustive or complete history of the subject. Please contact the library for further reading materials on the topic.


Rights Statement

The information on this page and any images that appear here may be used for private research and study purposes only. They may not be copied, altered or amended in any way without first gaining the permission of the copyright holder.

More to Explore

Dikir barat

ARTICLE

Dikir barat is a style of Malay choral singing popular in Singapore and Malaysia. With a flexible format that incorporates singing, poetry, movement and music, dikir barat is a form of entertainment that cuts across various segments of society....

Dave Chua

ARTICLE

Dave Chua Hak Lien (b. 1970, Malaysia–), author of the novel Gone Case, was the recipient of the Singapore Literature Prize Commendation Award in 1996. He had been the joint recipient of the SPH-NAC Golden Point Award (short story category) for his work, Father’s Gift, the previous year. ...

Jennifer Tham Sow Ying

ARTICLE

Jennifer Tham Sow Ying (b. 1962, Singapore–) is best known as the conductor of the Singapore Youth Choir (now the SYC Ensemble Singers, or SYC-ES), which she has led since 1986. Trained as a composer, Tham has been actively involved in educating young musicians and local audiences on contemporary choral...

Robert Yeo

ARTICLE

Robert Yeo Cheng Chuan (b. 1940, Singapore–) is a poet, playwright, novelist, essayist and librettist. He has written a novel, newspaper columns on the arts, as well as literary and theatre essays advocating the establishment of a distinctly Singaporean tradition in writing. He was for many years a lecturer at...

Indie music in Singapore

ARTICLE

Independent (commonly shortened to “indie”) music encompasses a wide range of musical genres, including rock, pop, metal and folk. Indie music is associated with alternative, non-mainstream productions and forms of distribution. Increasingly, the term “indie music” is also used to refer to musical styles that deviate from the mainstream, popular...

Ong Keng Sen

ARTICLE

Ong Keng Sen (b. 1964, Singapore–), the critically acclaimed artistic director of TheatreWorks, a local theatre company, is best known for his intercultural Shakespeare-inspired trilogy of works – Lear, Desdemona and Search: Hamlet. He was the artistic director of an international arts festival, In-Transit, held at the House of World...

Margaret Leng Tan

ARTICLE

Margaret Tan Hee Leng (b. 1945, Singapore–), popularly known as Margaret Leng Tan, is a pianist and a leading figure in experimental music. One of the best-known Singaporean musicians internationally, she is famed for her skill with unconventional playing techniques and in playing the toy piano. ...

Max Le Blond

ARTICLE

Max Le Blond (b. 1950, Singapore–) was conferred the Cultural Medallion for Theatre in 1987. At age 37, he was then among the youngest to receive the award. At a time when the stage was predominantly Anglo-centric, Le Blond relentlessly pushed for “a truly Singaporean theatre, by Singaporeans, about Singaporeans...

Teater Ekamatra

ARTICLE

Teater Ekamatra was founded by playwright, dramatist and director Lut Ali and his wife Rubie Lazim in 1988 to develop contemporary experimental Malay theatre that fuses traditional Southeast Asian theatre styles with contemporary techniques. This was a departure from the folktale-based Malay theatre that then characterised the Malay theatre scene...

Roger Jenkins

ARTICLE

Roger Jenkins (b. 1953, Singapore – ), Singapore-born Briton turned Singaporean, drama educator, poet, playwright, storyteller, and artistic director of Dramaplus Arts, made his mark here in drama and the arts....